17 Mar 2007
Who Killed Martin Hannett? 
Colin Sharp's long-awaited book about Martin Hannett is now available for pre-order through Amazon and will be published on 25 May 2007.

From the synopsis: "Hannett shaped and delivered the sound that propelled the whole movement to prominence and still can be clearly heard in the records of Interpol, Snow Patrol, the Killers, Franz Ferdinand, the Kaiser Chiefs, Radiohead, Oasis. Yet, despite the extraordinary influence his production work and personality had on the seminal bands of the time little is really known about the complex man behind the myth."

Who Killed Martin Hannett: Into the Tortured Soul of Post-punk's Sonic Genius
Published by Aurum Press Ltd
Paperback (320pp)
ISBN: 978-1845131746



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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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