16 Jun 2007
A genius singer and three Man United fans 
A good review by Nige Tassell in The Word for Colin Sharp's new book 'Who Killed Martin Hannett? The Story of Factory Records' Musical Magician'.

"[It] avoids damp-eyed nostalgia, instead favouring a mix of eye-of-the-storm reportage and a commendably objective unravelling of Hannett's complexity".

The title of this post is what Hannett used to refer to Joy Division as.


'Who Killed Martin Hannett? The Story of Factory Records' Musical Magician'
Aurum Press
GBP 12.99 rrp

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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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