20 Sep 2007
FAC IT! 
As was pointed out to uberquizmeister Elliot Eastwick at last night's Urbis Haçienda quiz night: any question about the Haçienda has around 25 different answers (depending upon who is being asked), all of them probably correct!

So it came to pass with the hastily assembled 'FAC IT' team - featuring your cerysmatic northern representative and artist Trevor Johnson - being cheated into third place and, thus, missing out on the prizes by a combination of incorrect 'official' answers, dodgy marking practices and our own amateur attempts at cheating!

Given that 'FAC IT' had blagged their way in without paying the GBP 15.00 entry fee anyway, the result was probably fair on reflection.

The eventual winners, 'FAC OFF', were treated to GBP 100.00 of books from the excellent Urbis shop.

"That's an awful lot of keyrings!" commented said quiz master, who was ably assisted by Timperley's own Frank Sidebottom.

Elliot has kindly allowed cerysmatic to run the quiz for ourselves. Stay tuned...

0 Comments:

Post a Comment

<< Home



- - - -


Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column