24 Sep 2007
FAC491 cont. 
Urbis have announced a further programme of events to complement the current 25th Anniversary Haçienda exhibition:

Design with a conscience: A forum event
Thu 25 Oct, 6-8pm
£3
An opportunity to reflect on, discuss and debate the growing trend of sustainable and ethical design, with industry experts, including Peter Saville and Ben Kelly.

Design Lecture: Factory and The Haçienda…
Wed 14 Nov, 6-8pm
£3
Urbis and D&AD proudly present a key note lecture from Peter Saville and Ben Kelly, two of the seminal designers responsible for creating a Manchester aesthetic which invaded the British high street in the mid 1980s. Its influence continues to be seen both there and across the world today.

Late Nights at the Haçienda: SINGLES NIGHT
Thur 15 Nov, 7 - 9pm
£5
The outrageously fun Haçienda Singles nights uses the traffic light system of speed-dating and all attendees will be issued with red, green and amber stickers to indicate to others whether its 'all systems go' or 'easy tiger'! Join us under the mirror ball for games and good times...

Late Nights at the Haçienda: SILENT DISCO
Thur 13 Dec, 7 - 9pm
£5
A creative performance event involving a DJ (spinning classic Haçienda tracks and some forgotten live stuff), headphones and some dancing. But no sound will be heard by all. Hence, silent disco baby. You have to see it to believe it.

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Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column