9 Oct 2007
Dark star 
The Independent has published a personal potted history of the great Joy Division by Factory colleague and confidant Jon Savage.

'Dark star: The final days of Ian Curtis by his Joy Division bandmates' begins at the hugely influential (for this teenager, anyway) October 1979 Apollo Theatre Buzzcocks-support gigs, captured on primitive video by Buzzcocks manager Richard Boon and later released on Factory/Ikon, before examining the "several reasons why this is Joy Division's moment".

"Jon Savage is the writer of film documentary 'Joy Division', which premieres in the UK at the Sheffield International Documentary Festival on 7 November and will be released early in 2008. Joy Division's albums are out now on Warner Brothers. 'Control' is on general release now."



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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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