12 Oct 2007
Electronic downloads on 7digital.com 
www.7digital.com offers high quality, DRM-free MP3s and WMA files at reasonable rates from several major labels. Of particular interest to Factory Records fans is the Electronic catalog, featuring:

- The three original studio albums and recent compilation
- Expanded versions of all three albums, including b-sides and remixes
- All singles and EPs, including the rare 'Until the End of Time' promo release

Looks like most of the tracks were just posted last month.

On a related note, there are plenty of hard-to-find recent tracks from Pet Shop Boys (mainly remixes not released on CD and not widely available digitally) and a decent selection of New Order products (including the three 'Waiting for the Sirens' Call' single releases).


Thanks to CD.

Labels: , ,


Post a Comment

<< Home

- - - -

Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column