7 Oct 2007
Mass Forms for Private Consumption 
Richard Clayton in The Times reports on the forthcoming highlights of the Frieze Art Fair which takes place in London's Regent's Park from 11-14 October 2007.

Amongst the delicacies on offer is a discussion entitled 'The Expanded Gallery - Mass Forms for Private Consumption' chaired by Alice Rawsthorn examining "how bespoke forms of industrial design, graphics and film have recently moved into the traditional preserves of art." and asking "What cultural value do they bring to the spaces of the gallery and the museum?"

Peter Saville will be on the panel which also includes Marc Newson, "the surfer-dude industrial designer".

0 Comments:

Post a Comment

<< Home



- - - -


Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column