12 Nov 2007
Factory & The Haçienda 
A reminder that Peter Saville and Ben Kelly deliver a "keynote lecture" to an Urbis audience (both real and virtual) as part of their ongoing Haçienda exhibition this coming Wednesday:

Design Lecture: Factory and The Haçienda

Wed 14 Nov
6-8pm (uk time) 11am - 1 pm (Linden Time)

SOLD OUT - But still available in Second Life Urbis

Don't miss this chance to catch up with two design gurus and members of the original Haçienda crew, Peter Saville and Ben Kelly in this Urbis talk and question and answer session. So get on down and find out how things were done the first time around. Any (sensible) questions may be put to our guests...so if you have any burning questions you would like answered from the good old days, then this is your chance!

This event is sold out in real life, but we will be streaming it into the virtual Urbis in Second Life. Our guests are also hoping to field some Second Life questions, so if you have any burning design issues to discuss, now is your chance!

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To download Second Life, please visit Secondlife.com.

Click here if you have SL already and want to teleport straight to the event.



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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column