13 Nov 2007
Robert Booth in The Guardian reports on the plans of eminent architect Will Alsop for a huge regeneration of Croydon.

Where's the Factory connection there you ask? Fear ye not, for there is a quote from Peter Saville, the Creative Director at Manchester City Council, responsible for the, hush, rebranding of Manchester, and he says:

"All I know about Croydon is that you go through it on the way to Gatwick and there's lots of 1960s municipal architecture there. When you hear they are rebranding Croydon you can't help but smile in a cynical way. I am very sceptical about the notion of rebranding places."


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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column