16 Jan 2008
Anti-institutional 
Manchester's great and the good were out in force last night at Urbis in Manchester to take a further step on the road to deciding what the city should do in tribute to Tony Wilson, reports the Manchester Evening News.

The main proposal was for a cultural summer school for young people in Manchester to be created in Wilson's honour. Steve Coogan, who played AHW in 24 Hour Party People, said "What we can't do is institutionalise this project, because if anything Tony was anti-institutional."

Peter Hook said "There was a fantastic array of people there. It was a great compliment to Tony to get so many influential people together. Things are still in the planning stage but I think we all agree we've got to do something."

Others in attendance in Happy Mondays' manager Elliot Rashman, Paul Morley and Peter Saville.

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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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