9 Jan 2008
Martin Hannett RIP 
Many thanks to Joy Division Central for forwarding the following message:

"I was visiting Tony’s grave in Southern Cemetery yesterday and decided to call in on Martin and Rob (especially since they were part of the reason Tony chose to be buried there).

I had to get help from the office for location but found them both – and was horrified to discover that Martin Hannett – this genius and legend of our time – is lying in a totally unmarked grave (actually there was an empty plastic bottle of lemonade on it which I removed).

It is well known that Martin had no money when he died, neither did his wife and he had waived his royalty rights when he settled his legal case with Factory.

I cannot let this state of affairs remain. So much money has been made thanks to him!!

I would like to start a fund and wondered if you could help through your website? (I think engraved headstones probably cost in the region of GBP 1000).

There must be some quite wealthy fans out there who might want to contribute?

Best wishes Lindsay Reade"

Further details to follow.



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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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