6 May 2008
Great Lives: Ian Curtis 
BBC Radio 4's Great Lives today saw poet Simon Armitage and Peter Hook join Matthew Parris to discuss the all-too-brief life of Ian Curtis.

While mainly from Simon Armitage's viewpoint, Hook's insights, even after all of these years, are among the most interesting and forthright he's given.

It also features part of a previously unreleased (& unheard) Malcolm McLaren-project version of Love Will Tear Us Apart, with just Ian's vocals accompanied by a piano. The track appears 11m 44s in.

And there's a snippet of an archive Radio 1 interview with Steve Morris and Ian.

The programme is available to Listen Again and is also downloadable as a podcast.

With thanks to Neil for spotting.



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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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