25 May 2008
It's all about the music, stupid 
In The City 2008 will take place on 5-7 October, at The Midland hotel in Manchester, England and at venues across the city.

Full details of the bands, keynotes and panels that make up this year's event will be released over the coming weeks, but already it's clear this year's ITC will feature more bands and more showcases than ever before. As well as the best-unsigned bands in the world, ITC will be showcasing new, just-signed talent from across the globe and holding special events by some well-known established acts – giving Manchester a true city-based festival of music and much more.

Demo submissions now open

ITC have announced that demo submissions are now open. Bands who wish to submit a demo for consideration can either send a demo (minimum of three tracks), biog and photo to the ITC office, or alternatively visit the ITC website – www.inthecity.co.uk - and use the new online submission system.


In The City
5-7 October 2008
Manchester, England



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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column