19 Jun 2008
FAC 51 Pure Evil 
Pure Evil gallery in East London has just launched a FAC 51 The Haçienda Family Tree by Elliot Eastwick in two special limited editions. The aluminium edition of 15 copies and the vintage cartridge paper edition of 51 (A1 size). Both editions went on sale at 09:00 today.

Prices are 100 GBP for the paper edition and 500 GBP for the aluminium edition. The colours on each edition are different. There are 2 wooden strips on the back for easy mounting.

Some of the prints will be on display at the Tony Wilson Experience in Manchester this weekend.

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Pure Evil Gallery
108 Leonard Street
London EC2A 4RH
Tel: 07805 420771
Gallery Hours: 10am - 6pm daily or by appointment.

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column