19 Jul 2008
Colony 
30 John Dalton Street, the building that once housed musty record shop Rare Records - one-time workplace of shop assistant Ian Curtis - has undergone a GBP 4 million refurbishment to become Ithaca - a bar/restaurant aimed at 'high net-worth individuals'.

Though not without being touched by the hand of god: objections by Canon Dennis Clinch of nearby 1848 church St. Mary's 'the hidden gem' (venue of Tony Wilson's funeral service) have restricted Ithaca's opening hours to 01:00 am rather than their requested 04:00 am (more on this at manchesterconfidential.com).

A pale imitation of the John Dalton Cafe - with Krug Clos Du Mesnil at a mere GBP 1000 per bottle.

Step inside...

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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