17 Jul 2008
Refaçed* 
Richard Goodall Gallery is offering a Central Station Design Faç Off Mini Set of 12 Prints for 50.00 GBP (or 5.00 GBP if bought individually).

The set features 12 silk screen prints, each approximatley 10.5 by 15cm (A6). The set is the 6 prints that are in the signed and numbered edition, and their inverses. The mini prints are also limited edition. The fluorescent colours really shine, and the silvers, golds and blues are metallic. Includes the black and yellow, and yellow and black Haçienda colours.

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* Rehaçhed, repackaged and indeed resized. (That's enough alReady! Ed.)

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column