4 Jul 2008
Restatement 
Hats off to Russ for spotting the Peter Saville Q&A session at The Cornerhouse next Thursday 10 July 2008.

The talk will cover "Saville's groundbreaking work for Factory Records in the late 1970s, through to his most recent explorations of art and design's role in the highly commodified, visually hyperliterate, early 21st century."

To be followed by the 'launch' of his latest book Estate in the Cornerhouse bookstore (complimentary drinks!).

I have just booked my ticket (GBP 3.00 Full, GBP 2.50 concession) by telephone on +44 (0)161 200 1500.

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column