4 Sep 2008
Remixed Noise 
Caroline True Records has just re-released the Punk-Funk / Leftfield classic 'Faith' by Manicured Noise as 'Faith 08' in a limited edition of 500 copies 7" single and digital download (via iTunes and other digital stores).

Catalogue number: CTRUE9
Tracklisting: A: Faith (Pocketknife's Straight Line Edit), B: Faith (Original Version)
Release date: Monday 1 September 2008

'Faith' was acclaimed on its original PRE Records release in 1980, its tough Northern backbeat acknowledging an indebtedness to the days of the Twisted Wheel and the Wigan Casino.

Lauded NYC producer and DJ Pocketknife whittles the track into a totally floor-friendly form with his Straight Line Edit, whilst the original version is on the flip side.

Pocketknife has creatively remixed and re-edited a wide range of artists from folkster Joanna Newsom, through to Feist and Paul Simon. The recent Tambourine Dream 12" drew much applause.

The 7" release trails a remix EP set to appear later in the year which will feature radical and groovy reworks of Manicured Noise tracks from Fred Deakin (Lemon Jelly), Jon Da Silva (The Haçienda) Cousin Cole (Pocketknife's DJ NYC associate), Jon Kennedy (Grand Central) and Steven Walsh (Manicured Noise).

--

www.carolinetruerecords.co.uk
www.myspace.com/manicurednoise

0 Comments:

Post a Comment

<< Home



- - - -


Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column