6 Oct 2008
Dig Out Your Gratuitous Factory Records References 
As Dig Out Your Soul hits the physical and digital racks of the nation's record shops what better time to check out #2 in the 20 Greatest Oasis Tracks as chosen by Peter Hook as told to Q Magazine (#267, October 2008):

"Roll With It is rocky, and it plays down the Beatles influence. A lot of Oasis's overtly Beatles-influenced songs piss me off because they're just a rip-off. Roll With It is a balls-in-your-hands, cock-in-the-air song. It's what I thought could have been their true sound if they'd ever got past their Beatles fixation. Oasis actually played an early gig with Revenge at a place called the Middleton Hippodrome in Manchester. It was their first gig they had with Noel on guitar under the name Oasis, because they were called Rain before that. What did I think of them? I thought they were a bunch of cunts. It wasn't an amazing triumph, but I quite like having it on my CV."

Meanwhile check out Hooky's latest playlist as told to the Guardian.

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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