11 Oct 2008
The Durutti Column - Ruby Lounge 7 October 2008 
The Durutti Column's first UK gig since the 29 March 2007 Benefit for Nordoff-Robbins Music Therapy at the Hard Rock Café, Manchester (thanks Mike!), (the only intervening show anywhere being Primavera Sound 2007) took place at the Ruby Lounge in Manchester on 7 October as part of In The City.

A late start time allowed the Cerysmatic team a pleasurable meal in nearby Trof (with thanks to Ashiya for the recommendation). The Ruby Lounge, on the fringe of the Northern Quarter, is a plush but cosy club-cum-venue.

Around 10ish Vini shuffled on stage alone and unannounced. He thanked the audience for coming to listen and warned us, oh yes, that it would start quiet and get louder. In traditional fashion he began with a solo guitar instrumental, 'Gun' (or a variant thereof).

Vini then brought Poppy Morgan on stage to play the Rhodes piano. In his introduction Vini explained how great it was for him to be able to play guitar to Poppy's piano and "hijack" her tunes. They played 3 pieces including Ananda from this year's Sunlight to Blue... Blue To Blackness (Kooky). This was the clear highlight of the evening.

Thereafter with Poppy leaving the stage to great applause the gig continued in more conventional style. There were some entertaining extended workouts of old favourites but there were few surprises and there was no encore (despite it being the 30th Anniversary show and Alex the Red's manful efforts at the end to get them back on stage).

Spotted at one time or another: Oli Wilson, Kevin Cummins & Nat Curtis (in the DC moshpit), Jane Lemon, Stuart "Jammer" James, Pete Garner (ex-Stone Roses).

Special Cerysmatic mentions for Steve Aldcroft, Bryan from the DC list and Phil Kooky (NHN) + Emma.

Setlist

Gun
"Duet I"
"Duet II"
Ananda
Otis [enter Bruce Mitchell and Keir Stewart]
Woman
Jacqueline
The Missing Boy
The Beggar
Requiem for Mother

Labels: , ,

0 Comments:

Post a Comment

<< Home



- - - -


Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column