14 Dec 2008
Y3? Y Not! (Unless It's In Pigeon Blue.) 
As the saga of assorted Ha├žienda-licensed footwear continues to engender a lively discussion on the Cerysmatic Factory Message Board, we've unearthed a set of 9 videos done in conjunction with last year's launch of the Haçienda Fac 51-Y3 trainers.

Peter Hook (sometime New Order bassist & one-time Haçienda owner), Peter Saville, (one-time Fac image maker & longtime quote generator) and Ben Kelly (the actual it-wasn't-Peter-Saville-designer/architect of the Haçienda) join journalist Miranda Sawyer in a roundtable discussion of all topics Haç, discussing, among many other things, Hooky's tax bill, Saville's inability to actually frequent the Haçienda (um, ever), and Kelly's continuing role as the punchline (or punching bag) for most of Hooky's money-loss jokes.

The videos total approximately 35 minutes. If you're short on time, jump directly to vid #8 to check out a jaw-dropping pre-production model of the final Fac 51-Y3 product.

Links here: One, Two, Three, Four, Five, Six, Seven, Eight, Nine. (Probably best to use these links only, as the final 4 vids are titled and numbered differently!)

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Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

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