23 Jan 2009
The Durutti Column UK Tour 2009 
An extensive UK tour by The Durutti Column is shaping up nicely. Recent additions to the itinerary are Mansfield and Manchester.

The full schedule is:

January

Sat 31 - The Met, Bury [10.00 GBP adv, 12.00 GBP door]

February

Mon 16 - Baby Blue, Liverpool [12.00 GBP adv / 15.00 GBP door - Buy online]
Thu 19 - The Cluny, Newcastle [+ support from Chippewa Falls; Tickets 10.00 GBP adv, Buy online via from seetickets.com (+ booking fee / handling charge)]
Sat 21 - Brudenell Social Club, Leeds [+ support from The Declining Winter, Tickets 10.00 GBP adv]
Wed 25 - Komedia, Brighton [12.00 GBP adv]
Thu 26 - Thekla, Bristol [Doors 7pm Curfew 10pm; Tickets 12.00 GBP adv, Tickets available from seetickets.com (+ booking fee / handling charge)]
Fri 27 - Firestation Arts Centre, Windsor [10.00 GBP adv, 9.00 GBP conc / 8.00 GBP member]

March

Sun 8 - The Deaf Institute, Manchester [ticket details TBC]
Fri 20 - The Town Mill, Bridge Street, Mansfield, NG181AN [10.00 GBP adv, Tickets available from TicketWeb]

Meanwhile, a new album entitled Love in the Time of Recession is set for release on 2 March on the Fullfill label.

For all your regular Durutti Column news don't forget to check thedurutticolumn.com.

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Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column