4 Mar 2009
FiloFaç 
Skylab's Managing Director thanks Tony Wilson for inspiration after winning the Anthony Wilson Original Modern Award at the Big Chip awards at bigchipawards.com.

He also recalls an interesting university project which involved the creation of a Factory Records CD-ROM:

"When I was at University in 1994, I was one of the first people in the UK to make an interactive CD for their final degree project. Very fittingly, the subject was the pioneering Factory Records. I interviewed Tony Wilson and Ben Kelly, the architect of the Haçienda and over time built a really good rapport with Tony.

The CD had an interactive Filofax (or FiloFaç as I called it) with the entire Factory Records catalogue listed, album covers, artwork, videos (including Madonna's first performance at the Haç), interviews with key people and when I eventually finished it and showed it to Tony he said, "I'm going to take this to London Records. This is going to be huge!" He was so enthusiastic about it and I became so caught up in that enthusiasm, such was the passion of the man. Needless to say it didn't go to London Records and it wasn't huge... but it didn't matter. I had my moment and my memory that still drives me to this day. Tony was an inspirational character and to have the award in his name is a personal achievement as well as an achievement for the studio. I have wonderful memories of that time and it's special to me that the award was given in his name. I would like to make a special and personal thanks to Yvette Livesey for her kind comments that were passed forward to us when we received the award."

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Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column