5 Apr 2009
Looking for the Light Through the Pouring Rain 
First details have emerged of the new Kevin Cummins photography book out September 2009:

"In Looking for the Light Through the Pouring Rain, Kevin Cummins brings us THE definitive photographic history of Manchester music from the 1970s onwards. With accompanying essays from Kevin's former colleagues Paul Morley, Stuart Maconie and John Harris, and Gavin Martin's interviews with Johnny Marr, Peter Hook and Mark E Smith, the book is a remarkable record of a city which changed the course of popular culture.

"From the punk explosion of Buzzcocks and Slaughter and The Dogs, through The Smiths, Joy Division and the birth of Factory Records and the resulting Madchester years of The Stone Roses and Happy Mondays to the Britpop swagger of Oasis, Kevin Cummins was uniquely placed to witness the anarchic energy of the Manchester pop moment and capture the images which would define these bands and shape generations of teenagers and music fans.

"This is a fascinating portrait of a city and its individuals who, through sheer bloodymindedness, put Manchester onto the world stage, providing us with a soundtrack to our lives. Often humorous, at times touching, only Cummins' photographs are able to take us on this incredible journey over four decades. As Morrissey so memorably sang, 'Oh Manchester... so much to answer for.'"

- back cover blurb.


Looking for the Light Through the Pouring Rain
Kevin Cummins
Faber & Faber
30.00 GBP
September 2009

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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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