6 May 2009
Auteur Labels: Factory Records 1984 
On 1 June, LTM releases a new volume in the ongoing compilation series Auteur Labels, featuring releases on Factory Records in 1984.

"Founded in late 1978, early Factory releases were guided by the five original directors: Tony Wilson, Alan Erasmus, Peter Saville, Martin Hannett and Rob Gretton. By 1984 Hannett had departed, and many Factory singles were produced by all four members of New Order under the generic name Be Music. These reflected the influence of New York dance and electro music, though the label's Haçienda nightclub was not yet a conspicuous success. Meanwhile the artier side of Factory remained evident in records by The Durutti Column and Kalima, and pop/rock in The Wake, Stockholm Monsters - and New Order themselves."

The 77 minute remastered CD features several rare edits and tracks, detailed liner notes by James Nice, and archive images.


1. New Order Lonesome Tonight (7" Edit)
2. Stockholm Monsters Terror
3. The Wake Talk About The Past (7" Edit)
4. Section 25 Reflection
5. Marcel King Reach For Love (New York Remix)
6. 52nd Street Can't Afford (Unorganised Mix)
7. Quando Quango Atom Rock
8. Shark Vegas Pretenders Of Love
9. Abecedarians Smiling Monarchs
10. Red Turns To Deep Sleep
11. The Durutti Column Duet (Without Mercy)
12. Kalima The Smiling Hour
13. Simon Topping Chicas Del Mundo
14. Streetlife On Instinct
15. Lavolta Lakota Prayer


Title: Auteur Labels: Factory Records 1984
Label: LTM
Cat No: LTMCD 2534
Released: 1 June 2009

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column