7 Jul 2009
Four Factory Records 
From thedurutticolumn.com:

The next album release by The Durutti Column is a 6-CD limited edition box set on Kooky Records entitled 'Four Factory Records'. Containing the first four classic albums released on Factory Records, all newly remastered by Keir Stewart from the original master tapes, the set comprises:

The Return Of The Durutti Column
LC
Another Setting
Without Mercy

There are also two very limited bonus CDs:

Demos/Studio - demos, versions and outtakes from the period
Live - recordings from London, Glasgow, and Brighton 82/84

All this plus a package of interviews with the key protagonists from the period including Vini Reilly, Bruce Mitchell, John Metcalfe, Keir Stewart and Tim Kellett.

Advance copies will be available for sale at the Manchester International Festival shows 15-17 July 2009. It will then be available in all good record shops (actual and virtual) and direct from Kooky from September 2009. The project will be a total edition of 1,000 copies of which a limited number will include the two bonus discs.

Kooky has tried to make this lavish package available at a sensible price. If you can't make the MIF shows, please check back at the end of July when Kooky will start taking pre-orders for mail order.

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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column