30 Aug 2009
In Between 
Section 25 hit the West Coast of the USA in October including an appearance at the Part Time Punks Festival at The Echo in Los Angeles. Full details of all scheduled gigs follow.

September

23 - Back Door Music Project, Rochdale [More info; Smith St, Rochdale; An evening of Rochdale, Manchester, Hacienda and Factory Music; Peter Hook and Section 25 live together in concert; DJ sets from Clint Boon of Inspiral Carpets and Martin Coogan of Mock Turtles and John Robb of Goldblade. Also live on stage Safety Pins, Tin Griffin and Rhythms of Rochdale]

October

9 - Part Time Punks Mini-Fest, Mezzanine, San Francisco, CA [444 Jessie Street, San Francisco, CA 94103, USA, info@mezzaninesf.com]
11 - Part Time Punks Festival, Los Angeles, The Echo [1822 W. Sunset Blvd, Los Angeles, CA 90026, USA]
24 - Musicdrome, Milan, Italy

November

21 - Fes Fest, West Coast Rock Cafe, Blackpool, UK [Admission: £5, Age restrictions: No minors; 3-5 Abingdon St, Blackpool, FY1 1DG; Fes Fest is a concert in tribute to Eddie Smith, local music legend and ‘creative’ who sadly died earlier this year. With Support from Ramleh and The Ceramic Hobs; Admission includes free copy of Eddie's Album ‘Side Room’]

December

12 - Plan K, Brussels, Belgium [further details tbc]

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Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column