28 Sep 2009
Blurring the edges 
Beyond The Loop is 4 nights of modern classical and contemporary music brought to you by John Metcalfe and running from Wed-Sat 7-10 October at swanky Kings Place in London.

"British mould-breakers blurring the edges of electronic and contemporary music"

Featuring: The Durutti Column | The Bays | Simon Hale | The Heritage Orchestra | The Duke Quartet | Plaid | Red Snapper | Ensemble Bash | Jon Hopkins feat. Davide Rossi | The John Metcalfe Band

Full line-up as follows:

Wednesday 7 October

Ensemble Bash 7.30pm
Red Snapper 9pm

Thursday 8 October

The John Metcalfe Band 7.30pm
Jon Hopkins (with visuals by Myogenic) 9pm

Friday 9 October

The Duke Quartet 7.30pm
The Durutti Column 9pm

Saturday 10 October

Plaid 7.30pm
The Bays / Simon Hale / John Metcalfe / The Heritage Orchestra 9pm

All concerts in Hall One, Kings Place, 90 York Way, London N1 9AG

To book tickets priced from £6.50 ring 020 7520 1490 or visit kingsplace.co.uk

Meanwhile check out the newly-updated/created John Metcalfe website and Facebook group.

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Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column