21 Sep 2009
Kevin Cummins Competition 
Win Manchester: Looking for the Light Through the Pouring Rain plus a set of posters.


Cerysmatic Factory in association with those nice people at Faber book publishers is offering you a chance to win a copy of Kevin Cummins's new book Manchester: Looking for the Light Through the Pouring Rain together with a set of limited edition posters featuring Morrissey, Ian Curtis, New Order and Oasis.

The posters are 500 x 700mm, printed with black and silver ink, and designed by Wallzo who also designed the book.

We are much obliged to Kevin Cummins who has kindly set the competition questions:

1. One of the following was the manager of The Drones for a short while. Who?

a. Richard Boon
b. Paul Morley
c. Kevin Cummins

2. Why is the predominant colour in Manchester: Looking for the Light Through the Pouring Rain, light blue?

3. Kevin Cummins shot almost 200 NME covers. Who did he photograph for his first one?

Answers please by email [to "info" at "the domain name of this site"] with the subject "Kevin Cummins Competition". The closing date for entries is 22:00 BST on 30 September 2009. The winner will be notified by email.

Thanks and good luck.

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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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