14 Nov 2009
Hacienda Classics Christmas Competition 
Win a pair of tickets to the Hacienda Classics Christmas Party @ Sankeys on Friday 4 December 2009 plus copies of The Hacienda: How Not To Run A Club by Peter Hook and Hacienda Acid House Classics both signed by Peter Hook in our new competition.

All you need to do in order to stand a chance of winning is answer this question:

In respect of the original design of the Hacienda, to which colours (e.g. Black, White, etc) do the following relate?

i) Pigeon
ii) RAF
iii) Aztec
iv) Salmon
v) Goose
vi) Signal

Entries by email please. Competition closes 10pm GMT Sunday 29 November 2009. One entry per person. The winner will be picked at random out of the proverbial Cerysmatic hat.

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Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column