6 Jan 2010
Shurely Drums mishtake? 
ClashMusic

"We knew we wanted to start a band together and we really had the idea of completely ripping The Wake off, which proved to be impossible and in turn we ended up falling short of that, but kinda finding our own sound," explained the singer.

SupMag.com

"People are just saying the outcome is sort of like Factory Records around 30 years before us. That's just how it turned out, this accident. We had these ideas and the way it all fell together was very organic. I know that Jacob and I are, or were, big synthesizer groupies. Jacob built modular systems and stuff like that, so we try to geek out on that. There’s a song called "Make You Mine" and a song "Down By the Water" where we literally set out to write a straight up 1950s song, but I think because we were such synth geeks and we couldn’t pull away. That's where it magically turned into this Factory Records thing because it still had that sort of new wave thing to it that we are fighting so hard against that we can't get away from. The Factory Records thing isn't intentional, but the '50s thing is intentional."

Oh, and Happy New Year!

Labels: ,

0 Comments:

Post a Comment

<< Home



- - - -


Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column