26 Jan 2010
The Magnetic Fields - Realism 
From The House of Tomorrow newsletter:

"Realism [Nonesuch] is out! Thank you to everyone who dropped by New York's Beauty Bar last night to celebrate its release.

The Magnetic Fields will soon be starting their tour in support of the new CD. The band is happy to announce that they have added shows at New York's Town Hall and Chicago's Harris Theater / Millennium Park to round off their 2010 US tour schedule.

Tickets for the new Monday 8 March show at the Harris Theater are now on sale at the theater's box office:

The third Town Hall show is scheduled for Friday 12 March. Ticketmaster pre-sales for American Express cardholders begin Wednesday, January 27, with general sales starting this Friday 29 January.

The March 12 show caps a three-night run in New York, after which the band will head to Europe.

Please visit the House of Tomorrow Calendar for the band's full 2010 tour schedule and further details regarding ticket pricing and availability:

In other news, a new recording of The Book of Love by Peter Gabriel will appear on his upcoming project, Scratch My Back. The combined CD / vinyl / iTunes LP release - a companion to a series of live orchestral performances and videos - will be out on 13 March, Peter's 60th birthday. In addition, a series of special download-only "Double A Side" singles will be released over the course of 2010 on iTunes. The first singles, out on January 30, will feature The Book of Love backed by the Magnetic Fields' version of Not One Of Us from Peter Gabriel's third album. Peter will continue to release a pair of singles on the full moon of each month throughout the year."

Meanwhile, reviews of Realism have been quite good, amongst the highlights this one by Alexis Petridis in The Guardian.

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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

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