6 Feb 2010
Priceless Restoration 
Cath Carroll discusses the long-lost Factory Records album by Miaow in the Padcast #18.

Cath talks about Miaow and the release of Priceless Restoration, a cassette containing the 1987 demos of "Priceless Innuendo" in 1987, on Lilypad Records this Valentine's Day.

Miaow released two singles on Factory, FAC 179 When It All Comes Down and FAC 189 Break The Code, but split before they could record the album which had got to the stage of being assigned a FAC number (210) and the working title Priceless Innuendos. A further single, Marry Me Dusty (Springfield) was also slated to come out as FAC 209. Cath explains that this track dates from an even earlier session than the bulk of the Priceless tracks. Of course, FACT 210 eventually came out as the Cath Carroll solo album, England Made Me.

Labels: ,


Post a Comment

<< Home

- - - -

Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column