5 Mar 2010
The New Cerysmatic Factory 
You may have noticed that we have undergone some major surgery. This was due to Blogger, on which the news blog part of the site has run since 2003, will stop supporting website publishing by FTP in May 2010. After an initial period of "WTF are we gonna do!?" it became clear that this enforced upgrade would actually enable us to implement a number of improvements which we've been mulling over for quite some time. Technical issues with the way the site is constructed prevented us from making that change then but now, with the news blog shifted over to news.cerysmaticfactory.info, the path was clear. And so we proudly roll out some new features which you will hopefully like including post pages, comments, and tagging/labelling.

This, the main front page, remains as it is, albeit with a slimmed down look. Links to the most recent news items are below or you can select News on the left to see all the news. All the other 1500+ regular pages remain unaffected by the changes to the blog. The old blogposts are still there too if you really wanna look. You'll work it out.

We are only human, and regretfully every year have to turn down at least one prospective work experience applicant, so if anything goes awry during this launch period please bear with us and we will endeavour to fix it as soon as possible. Please let us know if you have any comments too.

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3 Comments:

Anonymous Kevin Hewick said...

Thank God we have Cerysmatic in any form, it has connected all to do with the most unconnected record label ever.I like the new look!

06/03/2010, 16:52

 
Anonymous Anonymous said...

Here here!

06/03/2010, 18:55

 
Anonymous cerysmatic said...

Cheers Kevin! Always the pioneer, you are the first to post a comment!!

06/03/2010, 22:39

 

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column