13 Mar 2010
Union and Rhythm in Work 
The funeral of Section 25's Larry Cassidy took place on Friday 12 March in Poulton-le-Fylde. Kevin Hewick was there and has written about it on his blog, an extract of which follows:

"In the impressive, imposing Catholic church of St John the Evangelist, Poulton-le-Fylde, Larry Cassidy was given a suitably lively send off that was deeply moving yet very funny and surreal too.

People either laughed or gasped as the hearse drew up with a stunning Soviet flag resplendent with hammer and sickle in flowers in pride of place.

Brother Vin's lovely red guitar wreath also stood out."

Others who attended the funeral alongside the extended Cassidy family included Ian Butterworth, Roger Wikeley, Steve Stringer, Peter Hook, Alan Erasmus, Jez Kerr, John Robb and James Nice.

Read Kevin's full account of the funeral in Kevin's Blog at www.kevinhewick.co.uk.

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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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