24 Apr 2010
Another Factory closure 
It was recently announced that the historic Manchester upstairs/downstairs club combo Jilly's and Rockworld have closed for good, with John Bagnall - owner of the clubs since 1981 - going into liquidation.

The venue originally opened as a true 'chicken-in-a-basket' variety/music clubs Fagins (upstairs) and Rafters (downstairs) during the sixties and seventies.

With resident DJ Rob Gretton the sticky carpet venues ran late-seventies punk and new wave gigs, eventually hosting the Alan Wise-produced post-Russell, pre-Hacienda Factory Club during the early eighties.

Fond memories include Fad Gadget climbing the Rafters, the four comrades sat round a table in silence that suddenly alighted to the stage and became DAF, the Hook/Mason promoted IKON Video supported by Stockholm Monsters, The Birthday Party's first drunken gig, and who could forget the infamous Slim/Pete Murphy onstage stand-off!

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1 Comments:

Anonymous Anonymous said...

could you enlighten us on the slim/pete murphy stand off ??

07/05/2010, 01:20

 

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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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