23 May 2010
Joy Division - Opener? 
Anyone who thought Hooky's centre stage antics have always been the strutting of an over-inflated ego and that his Unknown Pleasures set would be a glorified cover version band tribute look away now.

From the evidence of the residence, The Light poured and Hooky found his voice - and what a voice!

The set was (almost) chronological: At A Later Date ("He's bound to do that - it's one of his!" - Terry Mason), Ideal For Living, Factory Sample, Unknown Pleasures, Transmission, LWTUA.

Bang bang bang: the band were tight, immense and clearly well rehearsed. The set was punched out with very little space in between. Every tune benefitted from a slight re-work - intros shortened, superfluous bars dropped, drop-downs and build-ups accentuated, grunge applied wherever possible. Rowetta did her bit on Insight, Simon Topping even joined in the air punching on Transmission. But, unlike the free-n-easy set on the reopening night of The Factory, this was serious.

The star of the show, though, was the voice. Belting out from start to finish - no mean feat over two consecutive nights - H's vocal strength and depth was remarkable, recalling Ian Curtis's own vocal development at the hands of Hannett (I checked with Di: no harmoniser).

Rumour has it this show is about to be taken to the road. Given that this set represents the first half of Joy Division's finite output - will there be a Closer?

--

Setlist [18 + 19 May 2010]

At A Later Date
Warsaw
No Love Lost
Leaders Of Men
Failures
Digital
Glass
--
Disorder
Day Of The Lords
Candidate
Insight
New Dawn Fades
She's Lost Control
Wilderness
Interzone
I Remember Nothing
--
Transmission
Love Will Tear Us Apart

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1 Comments:

Anonymous Anonymous said...

he has been asked by Aaron to do Closer

23/05/2010, 21:43

 

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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