30 May 2010
Whispering in the Leaves - Dawn 
Chris Watson's sound installation Whispering in the Leaves premiered at Kew Gardens yesterday.

The ex-Cabaret Voltaire man made a brief introduction to the assembled crowd about the concept behind the recordings (officially a "sound installation that immerses visitors to Kew Gardens’ Palm House in the dawn and dusk choruses of the Central and South American rainforests"). Basically the 3 hours round dawn and, similarly, round dusk, are condensed into two twenty minute pieces. He explained that the volume was intended to be as if you were there in the rainforest. So the quiet bits were quiet and the thunderclaps really loud.

He encouraged everyone to walk as he did the first performance (of Dusk) live rather than watch him twiddle the knobs. This is highly recommended as it is all multi-channel with various different effects emanating from the 80 different speakers. It was very good and in the general steaminess of the Palm House it was very atmospheric.

Future performances will presumably be played from tape and the companion piece Dawn will play in the morning on the hour.

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Kew Gardens
London

29 May – 5 September 2010

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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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