2 Jun 2010
How can I leave this behind? 
Freebass made their London live debut last night at a sold out (yet oddly quite roomy) 100 Club in that London.
An eclectic intro tape featuring Popcorn (by Hot Butter) and Mouldy Old Dough (by Lieutenant Pigeon – ha ha!) set the night up nicely.

Freebass took the stage just after nine to a rapturous welcome. Hooky positioned himself stage left in front of the big 100, Gary Briggs centre stage, Mani rear right (hidden by the huge pillar) and sadly there was no Andy Rourke. Hooky made a Viking-related quip and we were off.

The Freebass live sound is a hairy beast, featuring unsurprisingly a mixture of classic New Order / Stone Roses with a bit of early Foo Fighters thrown in for good measures. The only thing missing, perhaps inevitably due to Rourke's absence, was a Smiths tinge.

When Briggs delayed at the beginning of one song, Hooky quipped "Fookin' ell get yerself sorted out! You're in a proper band now!". And so he is.

After a set lasting approximately one hour they were off, returning for one encore of She Said and then they were gone.


Plan B
Not Too Late
The Only Ones
Lady Violence
Kill Switch Pt 141
World Won't Wait
Secrets And Lies
Sister Surrender
The God Machine
She Said

The Freebass tour continues tonight at The Factory in Manchester.



Anonymous Anonymous said...

But were they any good?!

02/06/2010, 18:54

Anonymous cerysmatic said...


02/06/2010, 20:35

Anonymous Kelvin said...

MCR gig was great.

03/06/2010, 23:31

Anonymous Anonymous said...

'Popcorn' was by 'Hot Butter'. First records bought by myself. Has it's own website, as does it's composer Gershon Kingsley.

04/06/2010, 13:21


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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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