1 Aug 2010
Remade, remodelled and Retrofitted 
LTM has details of Section 25's 7th studio album Retrofit which is set for release on 13 September 2010. The 11-track set of remixes from throughout their career, clad in a cover by Beth Cassidy, includes a remix of Looking From A Hilltop by New Order's Stephen Morris and the brand new track Uberhymn.

Tracklisting

The Process
Looking From a Hilltop
Beating Heart
Desert
Uberhymn
Garageland
Dirty Disco
Girls Don't Count
New Horizon
Wretch
Another Hilltop (Stephen Morris mix)

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7 Comments:

Anonymous Anonymous said...

Looking forward to the new album and gigs a lot! We're sure it's gonna be brilliant, even without Larry.

Ann & Manu
Belgium

05/08/2010, 14:28

 
Anonymous Eddo the dog. said...

Its a greatest hits album.
Oh well.

06/08/2010, 15:40

 
Anonymous Kelvin said...

All new recordings/remix I think Eddo, rather than a straight compilation.

11/08/2010, 09:59

 
Anonymous Anonymous said...

Spoke to James @ LTM about it on Tuesday and he seems really excited. Just booked my ticket for the Manchester gig in November, anyone else going?

Mark

12/08/2010, 23:19

 
Anonymous Anonymous said...

Come on get with the program Eddo! The album is all reworked material apart from 1 new track "Über Hymn". Retrofit was recorded before the untimely death of Larry Cassidy in February 2010, and sees the group revisit 10 key tracks from their estimable back catalogue, remade and remodelled using new technology, and closing with a compelling remix of Looking From A Hilltop by New Order member Stephen Morris.

14/08/2010, 08:30

 
Anonymous pkrpmusic said...

I don't give a flying rat's arse what's on it - I want it. It's Section 25 - it's going to be amazing.....

16/08/2010, 23:55

 
Anonymous Anonymous said...

Got my copy today and its fantastic, cant wait to see them live

Mark

28/08/2010, 05:42

 

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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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