26 Oct 2010
Joy Div/New Order vintage equipment on show 
PMT House of Rock, Chris Hewitt and Peter Hook present an evening exhibition of vintage musical equipment on Friday 12 November 2010 at the Red Rose Centre in Salford.

The evening will feature:

- An exclusive display of Joy Division and New Order vintage equipment
- A short LIVE performance from Peter Hook
- Q&A session about Joy Division etc with Peter Hook, hosted by John Robb
- A chance to look inside the Ronnie Lane Mobile Studio used to record amongst other Physical Graffiti and Quadophenia
- Plus an exhibition of Brian Eastwood guitars

Tickets priced 10.00 GBP are strictly limited to 251 places and available in-store at PMT Manchester
0161 877 6262

Venue details: Red Rose Centre, Regent Road, Salford M5 3GR

Meanwhile we have three signed copies of the It's A Beautiful Life album by Freebass to give away. The first three people to contact us will each receive a copy.

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1 Comments:

Anonymous Susie Cakl, Los Angeles said...

Oh how i wish i could attend!

27/10/2010, 19:35

 

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column