15 Oct 2010
The Distractions will release their new compilation album via Occultation Recordings in early 2011. Entitled Nothing it will include the 12" debut EP, the classic FAC 12 (Time Goes By So Slow b/w Pillow Fight), half a dozen tracks recorded in the mid-90s and possibly more. The Distractions' one and only album to date, Nobody's Perfect, is not available for release at the moment due to licensing restrictions.

Meanwhile, the band are about to release their first new material in three decades, following last month's digital release of some mid-90s material, the Black Velvet EP (and a track on Scream City SC5.1). Recorded in Liverpool this summer with original Distractions, Steve Perrin and Mike Finney, the Come Home EP will be released on 12" vinyl and digitally with a limited number of CD promos also available.

Official release date is expected to be mid-late November, but vinyl/CD orders will receive free mp3s immediately.

More info at www.thedistractions.co.uk and www.occultation.co.uk.

With thanks to Dan on the Cerysmatic Factory Message Board.



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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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