29 Jul 2012
The end of the wait for The End of The Pier 
Occultation Records is now taking pre-orders for the long-awaited new album The End of the Pier by The Distractions.

The album is released on 180g vinyl and all copies ordered direct from Occultation come with free CD version for your extended listening pleasure and mp3 downloads to boot.

More details on the various permutations at Occultation.co.uk.

Meanwhile, don't forget that The Distractions play two dates at King's Arms in Salford in the form of their "End Of The Pier Shows" on 31 August and 1 September, alongside fellow Occultation acts Factory Star and The June Brides.

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1 Comments:

Anonymous Occultation Recordings said...

Full details of ordering here: http://www.occultation.co.uk/Emails/occnews28-7-12.html

10/08/2012, 14:26

 

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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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