20 Aug 2012
Black Monday 
The last day of the Factory Records' office at One Charles Street in Manchester is documented in a new dvd entitled 'Black Monday' (as the fateful day became to be known).

The first part of the dvd is a rough but compelling film by Tosh Ryan shot on hand-held video outside the Factory Records office on 23 November 1992 following a tip-off that something was afoot. We see all the comings and goings, including the Factory workers, managers (Phil Saxe, ex-Happy Mondays manager) and the directors (Rob Gretton, Tony Wilson and Alan Erasmus). As the day progresses, it becomes clearer that something is going down...

In part two we see inside the newly-vacated offices. Be amazed (but perhaps not surprised) to see loads of now-priceless posters and artefacts strewn over the floor and the FAC 331 Temporary Contemporary Table is in the boardroom in a very broken state.

Black Monday

The extras comprise a piece on the subsequent conversion of the building many years later into the FAC 251 The Factory club plus an excellent short film showing the making of the cast iron FAC 73 anvil (to commemorate 500,000 sales of Blue Monday).

Tom Hewitt and Chris Hewitt put the whole 'Black Monday' project together in conjunction with Peter Hook and with thanks to Tosh Ryan, Aaron Mellor and Tighe Grainger. A donation has been made already from the future sales proceeds of the film to Peter Hook's favoured charity NSPCC.

The 'Black Monday' dvd is available as a pre-release version by mail order only. Paypal GBP 12.00 + 2.00 postage and packing to hawkethos@which.net or telephone +44 (0)1565 734066 to make an order by card.

Total running time: 2 hour 40 minutes
Format: DVD NTSC Region 0

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Anonymous Anonymous said...

Can I order from the US?

02/09/2012, 03:07

Anonymous cerysmatic said...

I suggest you contact the seller via the Paypal email address above to see if they ship to the US

02/09/2012, 12:33


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"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

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