1 Sep 2012
New Order - An Exhibition Catalogue 
Electronic Beats presents
New Order: An Exhibition
Featuring works by Peter Saville and Kevin Cummins
June 21-July 4, 2012 at. HBC, Berlin

New Order: An Exhibition Featuring works by Peter Saville and Kevin Cummins; front
Front cover

Contents:

Foreword by Max Dax, Editor-in-Chief, Electronic Beats Magazine
"Life is a struggle, but art in its highest form is victory" (Essay by Paul Morley)
"There was a fascination for everything related to the war because it was all around me" (Bernard Sumner) (A round table interview with Max Dax and New Order's founding members Bernard Sumner, Stephen Morris and Gillian Gilbert)

Peter Saville - Works 1981-2005 (illustrated catalogue of New Order sleeves)
Kevin Cummins - Works 1981-2009 (selected photographs)

Appendix - Notes on Kevin Cummins, Max Dax, Paul Morley and Peter Saville

Acknowledgements:

Electronic Beats would like to give special thanks to New Order, Kevin Cummins, Peter Saville and Paul Morley, Rebecca Boulton and Andrew Robinson at Prime Management, Alice Cowling and Matt Robertson at Peter Saville Studio, Kathleen Karrer, Corinna Koch, Luci Lux, Damien Mazières and Michael Lutz.

New Order: An Exhibition Featuring works by Peter Saville and Kevin Cummins; reverse
Back cover

With thanks to Mark Rutter for procuring a copy from the exhibition.

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column