22 Oct 2012
After Closer Competition 
Cerysmatic Factory is proud to present in association with @seditionart a competition to win a copy of Peter Saville's After Closer [Digital Edition] based on the original artwork for Joy Division which launched on 17 October 2012.

Originally a silk screen limited edition print made for the V&A's Postmodernism exhibition, After Closer [Digital Edition] is available as a full HD 1080p video lasting 3 minutes and a high-resolution (1919x1080px) still image.

In order to win a digital copy, all you have to do is answer the following question:

"The designs for which skyscraper in New York City encouraged Peter Saville to adopt a neo-Classical style for the original Closer album sleeve?"

Normal Cerysmatic Competition rules apply - one entry by email per person. The closing date is Sunday 4 November at 22:00 GMT after which time the lucky winner will be pulled out of the hat. The winner will be notified by email and will receive a voucher code with which to download the prize.

After Closer [Digital Edition] is available direct from s[edition] art on dynamic pricing.

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Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

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