29 Oct 2013
FAC Yeah! 
Yeah Yeah Yeah by Bob Stanley

Cerysmatic's bookfest continues with a recommendation for all you Facsters out there to grab a copy of Bob Stanley's excellent new tome 'Yeah Yeah Yeah'. Tracking the history of modern pop music in nearly 800 pages it touches on Factory Records at a few key moments in its own unique history: the birth of the label ("with Bauhaus-inspired designer Peter Saville and pharmacist-by-day producer Martin Hannett, Factory had an integrated and entirely distinctive look, feel and sound"), Joy Division (commenting that their album Unknown Pleasures' sound "revelled in space - in this instance the underpasses, the empty streets of post-industrial Victorian Manchester"), the Ha├žienda ("its denizens were inspired to go home and create more of the music they wanted to hear") and Happy Mondays ("They looked like drug dealers from a run-down Manchester estate because that's exactly what they were.").

Yeah Yeah Yeah is published by Faber and Faber (ISBN 978-0-571-28197-8) for 20.00 GBP (RRP). More info at bobstanley.co.uk

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Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column