16 Nov 2013
DJ Culture in the Mix 
DJ Culture in the Mix: Power, Technology, and Social Change in Electronic Dance Music

Quando Quango co-founder and Course Director, BA (Hons) Music & Sonic Media at South Bank University, Gonnie Rietveld has co-edited (with Bernardo Attias and Anna Gavanas) a new book entitled 'DJ Culture in the Mix: Power, Technology, and Social Change in Electronic Dance Music' which is published on 19 December 2013 by Bloomsbury Academic.

The collection of essays offers critical insights into the activities of DJs in a range of global dance music contexts, drawing on international collaboration and original research.

At 65.00 GBP recommended price for the hardback edition it is perhaps not for the casual reader but a more affordable Kindle edition is available.

Gonnie also contributed to 'Crossfade: A Big Chill Anthology' (Serpent's Tail), is the author of 'This Is Our House: House Music, Cultural Spaces and Technologies' (Ashgate, 1998) and has written several other papers.


Hardcover: 336 pages
Published by Bloomsbury Academic on 19 December 2013
ISBN-13: 978-1623566906

Available via Amazon (hardback and Kindle editions)

More Factory Records-related books.

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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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