25 Nov 2013
Go Ahead, Punk 45, Make Our Day 
Punk 45: The Singles Cover Art of Punk 1976-80

The often-reliable Soul Jazz Records label has recently issued another mahoosive tome dedicated to record sleeve imagery, in particular punk, new wave and U.S. garage-rock. Entitled 'Punk 45 - Kill The Hippies! Kill Yourself!', the hefty volume weighs 2kg, comes dressed in an eye-catching orange cover and includes over 350 pages of punk-singles cover art from 1976-80, all edited and forwarded by Jon Savage and Stuart Baker.

Of interest to Factory fans are interviews with Peter Saville, A Certain Ratio's Martin Moscrop and Cabaret Voltaire's Richard H Kirk, plus actual-size facsimiles of classic Factory-related 45s such as 'Transmission' and 'Love Will Tear Us Apart' by Joy Division, plus ACR, Section 25 and a few Les Disques du Crépuscule favourites from the early days, as well as hundreds of other luminaries of snotty new-wave and gob-rock such as Slaughter and the Dogs, Metal Urbain, Buzzcocks, The Skids, Robert Rental, XTC and the wonderfully-named Those Naughty Lumps.

The RRP is £25 (£20 from the Sounds Of The Universe shop in Broadwick Street, London) and is supported by a CD of the same title, comprised of various underground punk singles from the States. It's suffixed with the magic words, 'Volume One' which suggests the second volume may include a few UK nuggets.

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Punk 45: The Singles Cover Art of Punk 1976-80
Edited by Jon Savage and Stuart Baker
Published by Soul Jazz Books
400 pages
ISBN-13: 978-0957260009




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Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

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