25 Nov 2013
Go Ahead, Punk 45, Make Our Day 
Punk 45: The Singles Cover Art of Punk 1976-80

The often-reliable Soul Jazz Records label has recently issued another mahoosive tome dedicated to record sleeve imagery, in particular punk, new wave and U.S. garage-rock. Entitled 'Punk 45 - Kill The Hippies! Kill Yourself!', the hefty volume weighs 2kg, comes dressed in an eye-catching orange cover and includes over 350 pages of punk-singles cover art from 1976-80, all edited and forwarded by Jon Savage and Stuart Baker.

Of interest to Factory fans are interviews with Peter Saville, A Certain Ratio's Martin Moscrop and Cabaret Voltaire's Richard H Kirk, plus actual-size facsimiles of classic Factory-related 45s such as 'Transmission' and 'Love Will Tear Us Apart' by Joy Division, plus ACR, Section 25 and a few Les Disques du Crépuscule favourites from the early days, as well as hundreds of other luminaries of snotty new-wave and gob-rock such as Slaughter and the Dogs, Metal Urbain, Buzzcocks, The Skids, Robert Rental, XTC and the wonderfully-named Those Naughty Lumps.

The RRP is £25 (£20 from the Sounds Of The Universe shop in Broadwick Street, London) and is supported by a CD of the same title, comprised of various underground punk singles from the States. It's suffixed with the magic words, 'Volume One' which suggests the second volume may include a few UK nuggets.


Punk 45: The Singles Cover Art of Punk 1976-80
Edited by Jon Savage and Stuart Baker
Published by Soul Jazz Books
400 pages
ISBN-13: 978-0957260009

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column