31 Dec 2013
Stealing History with Abecedarians on KXLU 


Chris Manecke of Abecedarians gives a rare interview on a show from the 55 Shades of Blue KXLU radio archives (streamed via Soundcloud) in which he talks about recording Smiling Monarchs / Benway's Carnival (FAC 117) for Factory Records in the early Eighties.

The episode, from 2012, also features a play of the original demo mix of Smiling Monarchs before it was remixed by Bernard Sumner (Be Music) and Donald Johnson (DOJO).

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column